Edward de Gale, Toronto Pianist, Songwriter and Poet

Saturday, March 17, 2018

Book Review: "The Assassin's Trail" by Charles Moffat

I don't usually do book reviews, but here goes... No Spoilers!

Prepare to embark on an exhilarating literary journey like no other with Charles Moffat's captivating masterpiece, "The Assassin's Trail." This riveting novel weaves an intricate tapestry of suspense, adventure, and moral exploration that will leave readers spellbound from the very first page to the breathtaking climax.

"The Assassin's Trail" transports us to a world where ancient traditions and the primal instincts of survival converge. At the heart of this enthralling narrative is a lone hunter, entrusted by his tribe with a formidable task: To track down a ruthless murderer and return with the ultimate proof of justice—the murderer's head. As the hunter delves deeper into the treacherous unknown, the reader is drawn into an all-encompassing quest filled with unexpected twists and turns.

Moffat's expert storytelling unfolds with a precision that keeps readers on the edge of their seats. From the vast, untamed landscapes to the dense undergrowth of the wild, every scene is brought to life with vivid detail and masterful prose. The author's exceptional ability to create a palpable atmosphere allows readers to immerse themselves completely in the world he has crafted, experiencing the rush of adrenaline, the strangeness of magic, and the electrifying tension alongside the protagonist.

However, "The Assassin's Trail" offers much more than an adrenaline-fueled thrill ride. It delves into profound themes of morality, justice, and the complex nature of humanity. As the hunter confronts his own inner naivete while navigating a perilous path, Moffat skillfully explores the shades of gray that exist within every individual, including Wrathgar's friendship with a young necromancer named Soljargon. With every encounter and revelation, readers are compelled to question their own beliefs and ponder the delicate balance between vengeance and redemption.

What sets Moffat's work apart is his deep understanding of archery, hunting and tracking skills, and the emotional depth he brings to his characters: Both the hero Wrathgar and the villain Muddenklaw. Wrathgar, in particular, is a fascinating and multi-dimensional protagonist, a young man still on his journey into adulthood.

"The Assassin's Trail" possesses all the elements of a pulse-pounding adventure, yet its underlying themes and nuanced exploration of a young man tasked with bringing a murderer to justice elevate it to a work of profound significance. Moffat's brilliant prose and his ability to captivate the reader with every sentence make this novel an absolute must-read.

In conclusion, "The Assassin's Trail" showcases Charles Moffat's exceptional storytelling prowess, which shines brightly, offering a gripping narrative that combines the thrill of a hunt with thought-provoking introspection. Prepare to be enthralled by this remarkable work, as it takes you on a wild ride through the fictional kingdom of Korovia, where the hunter's path reveals secrets that are as much external as they are internal and will leave you questioning:

Who is the real assassin in this story? The villain? Or the hero?

Friday, February 16, 2018

Creating Authentic and Diverse Characters: Tips for Writing Inclusive Fiction

Inclusive fiction embraces the rich diversity of the world we live in, allowing readers to see themselves and others represented in the stories they consume. When writing diverse characters, it is essential to approach them with authenticity, respect, and an understanding of their unique experiences. 

Below we will explore tips for creating authentic and inclusive characters, with a specific focus on deaf or hard of hearing characters. (I fall into the latter.)

Let's dive in!

  1. Research and Understand Deaf Culture: Start by researching and gaining a deeper understanding of deaf culture, community, and the experiences of individuals who are deaf or hard of hearing. Learn about the challenges they face, the languages they use (such as American Sign Language), and the communication methods they prefer. This knowledge will help you portray deaf characters with accuracy and sensitivity.

  2. Avoid Stereotypes and Tokenism: Treat your deaf characters as fully developed individuals rather than relying on stereotypes or using them as mere plot devices. Avoid portraying them solely through their deafness and instead focus on their unique personalities, goals, strengths, and flaws. Ensure that they have their own storylines and are not token characters added for the sake of diversity.

  3. Consider Different Levels of Hearing Loss: Recognize that individuals who are deaf or hard of hearing may have different degrees of hearing loss. Some may rely primarily on sign language, while others may use hearing aids or cochlear implants. Understand the impact that various levels of hearing loss can have on communication and daily life.

  4. Accurate Representation of Communication Methods: When depicting conversations involving deaf characters, consider the communication methods they use. This could include sign language, lip-reading, written communication, or a combination of different methods. Depict these interactions with accuracy, highlighting the nuances and challenges involved.

  5. Sensitivity to Accessibility Needs: Explore the accessibility needs of deaf or hard of hearing characters in various settings. Show how they navigate communication barriers, advocate for their needs, or utilize assistive technologies. Sensitivity to accessibility issues is crucial for portraying their experiences authentically.

  6. Engage with the Deaf and Hard of Hearing Community: Seek input and feedback from individuals who are deaf or hard of hearing, or from organizations that support them. Engaging with the community can provide valuable insights and perspectives, ensuring that your portrayal is respectful and accurate.

  7. Diverse Characters with Intersectional Identities: Remember that diversity within the deaf and hard of hearing community extends beyond hearing loss. Consider intersectionality by exploring characters who may have multiple identities or belong to different ethnic, racial, gender, or socio-economic backgrounds. This approach creates more realistic and fully developed characters.

  8. Sensitize Readers to Deaf Culture: Through your writing, educate readers about deaf culture and the experiences of deaf or hard of hearing individuals. Challenge misconceptions and stereotypes by portraying authentic and relatable deaf characters, highlighting their strengths, resilience, and unique perspectives.

  9. Include Deaf Characters in Various Roles: Ensure that deaf characters are not limited to specific roles or storylines. Include them as protagonists, love interests, mentors, villains, or in any other role within your story. Representing them across diverse narratives normalizes their presence and shows that deaf characters can exist in any context.

  10. Sensitivity Readers and Feedback: Consider working with sensitivity readers who have personal experiences with deafness or hearing loss. Their insights and feedback can help you refine your portrayal and ensure the authenticity of your deaf characters. Respectfully listen to their perspectives and make necessary revisions based on their feedback.

Writing inclusive fiction involves the thoughtful and respectful creation of diverse characters, including those who are deaf or hard of hearing. By conducting research, seeking feedback, and treating these characters as individuals with unique experiences, you can ensure their authentic representation in your storytelling. Embrace the opportunity to educate and sensitize readers to the richness of deaf culture and the vibrant lives of deaf or hard of hearing individuals. By doing so, you contribute to a more inclusive literary landscape. 

Happy writing!

Monday, January 22, 2018

Bismarck North Dakota vs Fargo

So I was watching the TV show Fargo recently on Netflix, and I got curious... where exactly is Fargo?

So I looked it up.


At which point I discovered that Fargo is only barely inside North Dakota. It is right there on the eastern border, practically in Minnesota.

I also found out that Fargo is the largest city in North Dakota, with a population of 121,000.

Now while it is the largest city, the actual capitol of North Dakota is Bismarck - which is apparently often misspelled Bismark, even by mapmakers. The proper spelling is Bismarck, not Bismark.


Note - If you count the greater metropolitan area, then Bismarck's population is actually closer to 133,000.

So why my sudden interest in North Dakota geography?

Well I found the TV show Fargo to be fascinating - and funny. The accents alone are very interesting.

The accents in North Dakota / Minnesota sound a bit like a Canadian accent, a bit American, but with some very interesting drawls.

I am not alone in my fascination of the North Dakota accent either. There are whole YouTube videos on this topic, both in relation to the film Fargo, the TV series, and people from North Dakota comparing how they pronounce words.







Now it should be noted that not everyone in the region talks with such a thick accent.

Part of it I think is that accent is largely found in rural people, whereas people in cities have a less thick accent - combined with differences in ethnic backgrounds as cities tend to be more ethnically diverse.

So for example I found this video of two guys from Bismarck North Dakota talking, Andrew Lilja and Gustavo Luna (just giving them credit here). The video is a bit boring unless you like learning about energy traders. With both of them you can tell they have almost no accent. You can still hear that they sound a bit like a Canadian accent, but it isn't as noticeable as the thick drawls in the above videos.



The company they work at is Basin Electric Power Co-op, based in Bismarck North Dakota - which as we already know is one of the larger cities so it makes sense that their accents should be less thick because cities are more multicultural.

In particular listen to Gustavo Luna when he talks. You can guess his ancestors are probably not farmers from North Dakota (or maybe they are, who knows), but you don't hear any other major accent either. He sounds like a typical person from a big city in North Dakota.

My apologies to Gustavo Luna for analyzing his accent so much. No ill intent there at all. I was just looking for someone from the region who doesn't have a dramatically thick accent and Gustavo Luna made a good example.

Anyway, back to the TV show Fargo.

In the show the plots often focus on murders and mayhem in small towns in rural Minnesota or North Dakota. Very little of the action takes place in a big city, so the emphasis is largely on rural people and the actors are either from that region or have been coached in how to speak in an accent from that region. Specifically, the rural regions.

The plots also range over a vast area... and I kind of feel like there should be snapshots of maps regularly so that viewers know the area they are talking about better. Sort of like what they do with Game of Thrones with the map at the beginning of each episode. The purpose of the map is that viewers get a better understanding of the geography of the world of Game of Thrones, as geography does play an important role in the stories and plots of the show. eg. See maps of Game of Thrones.

It does make me wonder if tourism in the Fargo region has gone up thanks to the TV show.

If it has, I think that is pretty awesome.

Visitor and Travel Info for Fargo ND
https://www.fargomoorhead.org/

Fargo Tourism, Best of Fargo 2018
https://www.tripadvisor.ca/Tourism-g49785-Fargo_North_Dakota-Vacations.html

5 Top Rated Tourist Attractions in Fargo
http://www.planetware.com/north-dakota/fargo-us-nd-f.htm

Admittedly Canadians could probably see a lot of similar things here in Canada. So why bother going all the way to North Dakota?

Same reason why anyone does any kind of tourism I guess. For the fun of it.

I think North Dakota would be a fun place to go fishing. That sort of thing.

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